Riskallah Ryad One Day Workshop, Waltham, MA. March 17, 2013, Sponsored by Phaedra.
WARNING music plays when you open this website.
1. Location: Moody Street Circus, 397 Moody Street, 2nd Floor, Waltham, MA 02453
Telephone: (781) 893-2491, contact email: melinda@cirquepassion.com.
1. Location: Moody Street Circus, 397 Moody Street, 2nd Floor, Waltham, MA 02453
Telephone: (781) 893-2491, contact email: melinda@cirquepassion.com.
Melina’s studio is a lovely,
welcoming space. I’m not sure how to get there on public transportation, but
it’s quite easy in a car. There are public parking lots so it’s relatively easy
to park. The studio itself is large and sunny, with some spaces where it’s easy
to toss your gear and keep it out of the way. Melina also has some offerings
for sale, awesome vintage finds that are pretty difficult to find elsewhere.
She is a lovely hostess, ensuring that things run in a timely manner and
working the sound system. In this space, you know that it’s for hard work, but
also many laughs and smiles.
2. Studio: A Proper Dance Studio. Good hard wood floors at the front, excellent mirrors to “love yourself” as a workshop participant put it yesterday. The back part of the room has carpeting, so wear dance shoes if you’ll be coming here for a popularly attended workshop. I’m not really sure how many people it would hold. The times I’ve been, I’ve either been gabbing with friends, or paying attention so didn’t really get the opportunity to do a count. All of the workshops that I’ve taken there have been full, so didn’t get a headcount. Melina IS the staff, so you are treated graciously from start to finish
3. Timing: as in starting and
ending, perfect. While not a harsh taskmaster (but a very consistent, firm one)
Riskallah started on time and kept on track, even when tempted by an
interesting question (always the sign of a good teacher) to segue into
something else. No complaints, whatsoever. I have a pet peeve about timing, my
own habitual tardiness notwithstanding. It's a lot easier to be the person who
shows up late, than it is to be the organizer who causes people to feel like
they're losing money because you charge for the hour and some of that is eaten
up by the set up. The warm up was excellent. She did a full body warm up
thoroughly ensuring that every part was warm and ready to work. After our lunch
break, she repeated the warm up, although not as full as initially. I really appreciated
this as the body does get cold and stiffer when you’ve sat around a bit.
4. Communication: Phaedra kept the community informed
through the New England Belly Dance Calendar yahoo group run by Erzulie, and
through the website Belly Dance New England managed by the inimitable Amy Smith. If you’re connected to these
things in this area, you’ll get a pretty good idea of what’s happening through
out. Most of the organizers here use these 2 resources to good effect.
5. The Teaching! Finally!: Riskallah’s style is an excellent
demonstration of a more than competent teacher who is confident in both her
material and her presentation of it.
I very much enjoyed Riskallah’s style. In the first workshop,
we worked on combinations and adding the unexpected into your performance to
keep it interesting. There were a few exercises designed to spark some creative
thought from the participants. I have to admit, I didn’t do very well there.
Riskallah instructed us to “add something you’ve never done before” and I went
*totally* blank. I couldn’t think of a single thing I hadn’t done in
performance or practice.*
This is something,
however, I will try to incorporate into my own dance and use this
(subversively) when I attend shows and similar to try to *steal* glean
inspiration for my own work.
I unfortunately had to leave before the end of the workshop,
and chose to do so as she was starting to teach a choreography to Shik Shak
Shok (which I love) and it was ADORABLE. At least the first combo’s I saw.
I carefully and unobtrusively made my way to the back of the
room where my gear was and was putting on my socks in preparation to leave.
Riskallah noticed that I wasn’t there (how
did she do this? It’s a mystery. In a room full of women, she picked out just
one who wasn’t there.) and came over to see if I was leaving. She had done this
earlier as well, with a woman who had sat out a portion, to ensure that she was
ok.
I see this as a sign of a teacher who cares about her
students and wants to make sure they’re all ok.
6. What has it done for my dancing?: As noted above, I will be incorporating some of the techniques she talked about into my practice to make my performances more interesting, so obviously, the workshop delivered what it promised.
I loved the seemingly obvious in this workshop. An example
was a combination as part of a larger choreography that she taught which
incorporated a step she called a “karsilama”. Karsilama is a typically Turkish
rhythm (9/8) which has some unique footwork associated with it. Riskallah
incorporated a step from this typical Turkish rhythm into an Arabic styled
choreography. It looked good, it worked with the music and was all around
completely inspiring.
Why is it “seemingly obvious?” Well, although I’ve trained
extensively in Turkish and American Cabaret, I would not have thought to put
this step into an Arabic combination. Seriously, the rhythm and the sound are
so different that it would never have occurred to me.
7. Would I take another workshop from Riskallah?
Yeeeeeeessssssss! Also, she’s theoretically not too far from
me.** In my list of teachers who I’d like to take private lessons from, she is
certainly one of them.
And in my mythical free time, who knows? Maybe I can make it
out to her a few times…
8. Additional thoughts about Riskallah as a teacher:
- Very warm and engaging
- She must be amazing to watch in performance. Her flair for drama and intensity comes across even in a short choreography
- She is down to earth and a fun teacher to take a class from.
More thoughts: I usually take notes during a workshop, often
haphazardly. I used for the first time “A Belly Dance Journal” created byLauren “Zehara Hass. There is a section specifically for workshops where you
can record “lightbulb moments” “to practice” “notes” and “people I met”. I
really enjoyed using this to write my notes into AND the confidence of knowing
that they wouldn’t get lost in my notebook since I take notes of EVERYTHING
(including school and meetings at work) and don’t always have the right
notebook on me. That’s when everything gets jumbled. It’s also when hoarding
begins as then I’m afraid to get rid of anything that might have my precious
workshop notes.
* except maybe incorporate the feeling of dalla that of being coy and flirtatious,
something I feel highly stupid doing
(to the despair of my primary teacher, Najmat, who pulls it out in every class and which I
successfully ignore, maybe because she uses her hair for this, which if I allow
it would take over my whole arm if I tried to pull a full strands forward. Can
you imagine? The entire routine would devolve into a comedy skit of my trying
to escape from my hair)
** In my perfect life, I’d hit the megabucks and would do
nothing but take dance classes from amazing teachers. Sigh. Also, this tells
you just how highly I rate this particular teacher.
